Tuesday, November 8, 2016

Tom White ~ Psestos

Tom White ~ Psestos

Tom White ~ La Tramuntana Psesto

Tom White ~ Autopista Psesto

Tom White ~Textament Psesto

Tom White ~ Culture Sieve Psesto

Tom White ~ My Thoughts Arise Psesto

Tom White ~ White Tiles Pattern Psesto

Tom White ~ Cyprus Green Line Psesto

Tom White ~ El Texto Psesto

Tom White ~ China Psesto

Tom White ~ Flowers for Algernon Psesto

Tom White ~ Skull of Sta. Maria Psesto

Tom White ~ Oaxaca Square Knot Psesto

Tom White ~ From Derrida to Lacan Psesto

Tom White ~ Pornographic Politic Psesto

Tom White ~ Hapsburgs In Iberia Psesto

Tom White ~ Hermita de Lourdes Psesto

Tom White ~ Emperor's Dictum Psesto

Tom White ~ Semiotics Psesto

Tom White ~ Cyprus Wheel Psesto

Tom White ~ Terminal Mao Psesto

Tom White ~ Menorca Archive Psesto

Tom White ~ Barcelona Cathedral Ghosts Psesto

Tom White ~ Children Playing in Water Psesto

Tom White ~ Judeaca Psesto

Tom White ~ Impasto 1 & 2 Psesto

photos by Styrous®

TW aka bUtom 

Tom White
Professor Emeritus
California College of the Arts CCA


Psestos in Voices @ Kala

 Psestos installation at the Kala Arts Institute
Tom White© 2016 
photo by Styrous®

November 3 to 18, 2016

Opening @ Kala
Thursday, November 10, 2016 
4 to 8 pm

Psestos at the Kala Arts Institute
Tom White© 2016 
photo by Styrous®

Kala Arts Institute
2990 San Pablo Ave.
Berkeley, CA


TW aka bUtom 

Tom White
Professor Emeritus
California College of the Arts CCA


Sunday, October 30, 2016

Butohdrawing ~ "Pentagon VS Hexagon"

 "Pentagon VS Hexagon"
Tom White with Betty Jo Costanzo
Di Arie Vineyards, Mt. Aukum
photo by Styrous® © 2005

Butohdrawing is a continuation of our previous artistic and teaching developments in which drawing, painting, video and performance are tools for recognizing, isolating, and relaying shapes and patterns which are generated perceptually. This isolation is designed to reveal spatial relationships not dependent on linear scrutiny, but rather, moving through the perceptual field to understand collective creation.   

Traditionally, drawing and painting have conveyed images which refer to subjects such as allegories, portraits, landscapes, still lifes. As postmodern artists, we seek new definitions of drawing and painting which liberate the art spirit to convey traditional images as well as text, universal archetypes and the recording of the processes which venture outside the art world, into the communities and cultures which may create new archetypes, symbols and mythologies. Through the use of Butoh collaboration we wish to further investigate and use the visual focus and concentration necessary in producing definitions which generate new drawing and painting.

Although Butoh has evolved as a dance form, we use its disciplines to reacquaint the individual with a strong awareness of the five senses, promoting a perception of a wider field. This fosters creative actions and formations of decisions and protocols which are artistic and contain a quality of economy proving more beneficial than those achieved through linear means alone. While we work together in our studio, we begin with exercises which emulate moving meditation. These exercises allow us to begin our Butoh Walk, which is a discipline or regimen of exercises leading to our state of visual focus and heightened sensory awareness of the peripheral field. It enables us to begin our unique form of Butohdrawing.   

Butohdrawing is inspired by the innovative works of such artists as Cezanne, Mondrian, and Bill Viola. John Cage challenged mid-century modernism by replacing aesthetic decisions with chance operations determining form.   

The history of Butoh Dance begins with Hijikata followed by Ohno and Kasai. In our individual work previous to Butohdrawing, we each have experimented with the ingredients now affirmed by our studies with Akira Kasai and his protégé Setsuko Yamada.   

“Butoh, a Japanese indigenous dance form, is not only performance, but also the embodiment of one of the most precise critical spirits in the history of the consciousness of the body, with a strength of thought which impinges deeply on the history of the human spirit Butoh’s actual existence was the imprint left by the potent ideas of Tatsumi Hijikata. The understanding of the body in butoh makes it possible, through the body to give expression even to a flesh ravaged by age and illness, in what at first glance is apparently an enlargement and deepening of the concept of dance. When the style first appeared, Tatsumi Hijikata, himself called it Ankoku Butoh (Dance of Darkness). He founded Butoh with the collaboration of a small number of dancers and artists. Since then, Hijikata’s Theory of Butoh has had a comprehensive effect on contemporary arts in general”
    - (Butoh in the Late 1980’s by Kazuko Kuniyoshi with translation by Richard Hart).    

© 2008 Tom White and Betty Jo Costanzo 

 "Pentagon VS Hexagon"
Tom White with Betty Jo Costanzo and Styrous®
photo by Mark Niebauer © 2005

TW aka bUtom

Tom White
Professor Emeritus
California College of the Arts CCA



Friday, October 14, 2016

Figure exhibtion opens @ the Gray Loft Gallery

Duo ~ watercolor by Tom White 


October 14 – November 19, 2016

Artists’ opening reception: 
2nd Friday, October 14, 6- 9 pm 

2nd Friday reception: 
November 11, 6 - 9 pm

Gallery Hours:  Saturdays, 1 to 5 pm 
Sundays by appointment
 Gray Loft Gallery
2889 Ford Street, third floor
Oakand, CA 94601

TW aka bUtom

Tom White
Professor Emeritus
California College of the Arts CCA



Monday, October 3, 2016


I'm really good at what I do and I need to sell it or give it away.    

I need another angel or maybe several to support me by buying these original images.

Tom White

Tom White ~ Monday, October 3, 2016

Monday, July 4, 2016

psēstos will show in the Gray Loft Gallery summer salon

I will have my work, psēstos, in the upcoming exhibition, summer salon, which will open at the Gray Loft Gallery.

 summer salon
July 8 – August 12, 2016

Opening (2nd Friday) Reception: 
July 8, 6 – 9 pm 

Closing (2nd Friday) Reception: 
August 12, 6 – 9 pm


    a manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain.

mid 17th century: via Latin from Greek palimpsēstos, from palin ‘again’ + psēstos ‘rubbed smooth.’








photos by Styrous®

Gray Loft Gallery
2889 Ford Street, 3rd Floor
Oakland, CA 94601
Gallery Hours:  
Saturdays, 1:00 to 5:00 pm,
 Sundays by appointment

 Tom White ~ Monday, July 4, 2016